MCM courses
445 courses · Brown University · Fall 2026
- MCM 0110 — Theory and Analysis of Modern Culture and Media1 section
- MCM 0150 — Text/Media/Culture: Theories of Modern Culture and Media1 section
- MCM 0200A — Sonic Cultures: Media, Art, Power1 section
- MCM 0220 — Print Cultures: Textuality and the History of Books1 section
- MCM 0230 — Digital Media1 section
- MCM 0240 — Television Studies1 section
- MCM 0250 — Visuality and Visual Theories1 section
- MCM 0260 — Cinematic Coding and Narrativity1 section
- MCM 0700 — Introduction to the Moving Image1 section
- MCM 0700A — Introduction to the Production Image1 section
- MCM 0700B — Mediating the Live: Making and Documenting Performance Art1 section
- MCM 0700C — Screenwriting I (LITR 0110E)1 section
- MCM 0700D — Introduction to Film Preservation and Restoration1 section
- MCM 0700E — Introduction to DJ Culture1 section
- MCM 0710A — Introduction to Filmic Practice: Time and Form1 section
- MCM 0720 — Intermediate Filmmaking: Cinematic Space1 section
- MCM 0730A — Introduction to Video Production: Critical Strategies and Histories1 section
- MCM 0730B — TV/Not TV: Theory and Practice1 section
- MCM 0730C — Foundation Media (VISA 0120)1 section
- MCM 0740 — Intermediate Video Production: Sound, Image, Duration1 section
- MCM 0750A — Art in Digital Culture1 section
- MCM 0750C — Subtle Machines: Designing for Engagement and Response-Ability1 section
- MCM 0750D — Dynamic Futures: Speculative Media1 section
- MCM 0750E — Listening Beyond the Browserscape1 section
- MCM 0750G — Sonic Visions: The Art of Music Video Making1 section
- MCM 0750K — Experimental Video and Emerging Media1 section
- MCM 0760 — Intermediate Digital Media Production1 section
- MCM 0780A — Soundtracks: Sound Production and Visual Media1 section
- MCM 0790 — This is a Public Service Announcement1 section
- MCM 0800A — Agency and Representation1 section
- MCM 0800B — Freshman Seminar on Visuality1 section
- MCM 0800C — Marx, Nietzsche, Freud: History of Theory1 section
- MCM 0800D — Sound for A Moving Image1 section
- MCM 0800E — Race and Imagined Futures1 section
- MCM 0800F — The Face in Cinema1 section
- MCM 0800H — TV/Not TV: Theory and Production1 section
- MCM 0800I — Victim Testimonies1 section
- MCM 0800J — The Revolution is Being Photographed1 section
- MCM 0800K — Pirates!1 section
- MCM 0800L — "I Don't Even Know Why They Call It Color TV": Television and Race in America1 section
- MCM 0800M — The Terrible Century (ENGL 0150U)1 section
- MCM 0800N — Hitchcock! (ENGL 0151A)1 section
- MCM 0800O — Global Anime1 section
- MCM 0800P — Introduction to Italian Cinema (ITAL 0950)1 section
- MCM 0800Q — Hitchcock: the Auteur1 section
- MCM 0800R — Transnational East Asian Cinemas: Local Ghosts, Global Monsters1 section
- MCM 0800S — Film after Film: An Introduction to Digital Cinema1 section
- MCM 0800T — Hitchcock! (ENGL 0151A)1 section
- MCM 0800U — Hyper/Pop1 section
- MCM 0800Y — DIY: Notes from the Underground1 section
- MCM 0900A — Cinema and Stardom: Image/Industry/Fantasy1 section
- MCM 0900B — Global Cyberpunk1 section
- MCM 0900F — Real TV1 section
- MCM 0900G — Representing the Internet1 section
- MCM 0901C — Photography/Film/Art: Memory, History and Ruin1 section
- MCM 0901D — Film Comedy1 section
- MCM 0901E — The Fantastic in Contemporary Cinema1 section
- MCM 0901F — "America" in Diaspora Literatures1 section
- MCM 0901G — Digital Culture and Art after 19891 section
- MCM 0901H — Uncomfortable Media1 section
- MCM 0901I — Body Count: Technologies of Life and Death1 section
- MCM 0901J — Adaptation Culture: New Media <---> Traditional Theatres (TAPS 0080)1 section
- MCM 0901K — Statelessness and Global Media: Citizens, Foreigners, Aliens1 section
- MCM 0901L — African American Media Visibility: Image, Culture, Crisis1 section
- MCM 0901M — Ishiguro, Amongst Others (ENGL 0710L)1 section
- MCM 0901N — Body/Gesture/Cinema1 section
- MCM 0901O — Reinventions of Life: Aesthetics, Biopolitics, and the Avant-Gardes1 section
- MCM 0901Q — Governing Sex: Citizenship, Violence, Media1 section
- MCM 0901R — Altered Cinema: The Cultural Politics of Film Revision1 section
- MCM 0901S — Mediating Reproduction: Feminism, Art, Activism1 section
- MCM 0901T — Shakespeare: The Screenplays (ENGL 0310E)1 section
- MCM 0901U — What is Colonialism - Archives, Texts and Images (COLT 0812B)1 section
- MCM 0901W — The Space Within: Contemporary Borderland Moving Image Practice1 section
- MCM 0901X — Digital Cinema and the Inhuman1 section
- MCM 0901Y — Puzzle Films1 section
- MCM 0901Z — Reading Practices: An Introduction to Literary Theory (ENGL 0800R)1 section
- MCM 0902A — Cultures, Societies, and Resistance (MES 0950)1 section
- MCM 0902B — Film Classics: Greeks on the Silver Screen (MGRK 0810)1 section
- MCM 0902C — Digital Media in the Time of Ecological Crisis1 section
- MCM 0902D — The Visual Culture of Suffering1 section
- MCM 0902E — In Design: Layouts of Modern Media and Design1 section
- MCM 0902F — Post Cinema? Histories and Politics in the “Digital Revolution”1 section
- MCM 0902G — Visual Cultures of Repair and Resistance1 section
- MCM 0902H — Cinema and Revolution: A Global Perspective1 section
- MCM 0902I — Never Work! History, theory and media of work and its refusal1 section
- MCM 0902J — The Humanities in Context: Literature, Media, Critique (HMAN 0800A)1 section
- MCM 0902L — Film Classics: The Greeks on the Silver Screen (MGRK 0810)1 section
- MCM 0902M — The end of politics as we know it? New Media & Political Imagination1 section
- MCM 0902N — Intro to Surveillance Studies, or, You're So Paranoid, You Probably Think This Class is About…1 section
- MCM 0902O — Neural Media: A Cultural History of Machine Learning1 section
- MCM 0902P — Digital Media on Trial1 section
- MCM 0902Q — Literally Occult: Hidden Imaginaries in Media and Theory1 section
- MCM 0902R — In Real Time: Mediation and the Lives of "Liveness1 section
- MCM 0902S — Celluloid Deaths1 section
- MCM 0902T — Media Epistemologies: Propaganda, Conspiracies, and Other Ways of (Not) Knowing1 section
- MCM 0902U — Inventing Spaces: Theories of Spaces as Cultural Creations1 section
- MCM 0902V — Imperial Visions/Decolonial Practices: From Palestine to Turtle Island1 section
- MCM 0902W — Simulating Reality: The (Curious) History and Science of Immersive Experiences (ITAL 0701)1 section
- MCM 0902X — Italian EcoCinema Earth Ecologies and Cinema: The Anthro/Bio/Geo/Morphic Machine (ITAL 0910)1 section
- MCM 0902Y — Screenshot: Remediation, Transmediation, and Digital Media1 section
- MCM 0902Z — Theories of Cinema, Trauma, and Sex1 section
- MCM 0903A — Let’s Get Physical: Histories and Theories of Fitness1 section
- MCM 0903B — Visions of Algeria: Revolution, Visuality, and the Potentialities of History1 section
- MCM 0903C — Surveillance Media1 section
- MCM 0903D — Diagnostics, Media and the Making of Experience1 section
- MCM 0903E — Capitalism, Computers, and the Era of A.I1 section
- MCM 0903F — Black Love: Slavery and Sexuality on Screen1 section
- MCM 0903I — Take Me Apart: The Body As Myth Between Literature, Film, and Theory1 section
- MCM 0903J — The Dancer and The Muse1 section
- MCM 0903K — Mediated Anxieties, Anxious Mediations1 section
- MCM 0903L — Between Media and Ecology: Life, Technology, and Inhabitation1 section
- MCM 0903M — Experiments in NonFiction Film and Media1 section
- MCM 0903N — Alchemy of Emotions: Middle Eastern Stages, Screens, & Pages (TAPS 0800J)1 section
- MCM 0903O — Africa in Cinema1 section
- MCM 0903Q — Cinema Novo, New Cinemas: The Politics of the Image in Brazilian Film1 section
- MCM 1110 — The Theory of the Sign1 section
- MCM 1200D — African Cinema1 section
- MCM 1200G — Cinema and Stardom: Image/Industry/Fantasy1 section
- MCM 1200K — Hollywood as Global Cinema1 section
- MCM 1200Q — Publicity and Surveillance1 section
- MCM 1201C — Imagined Networks, Glocal Connections1 section
- MCM 1201E — Feminist Theory and the Question of Sexual Subjectivity1 section
- MCM 1201J — Aesthetics and Politics (ENGL 1900E)1 section
- MCM 1201K — Queer Relations: Aesthetics and Sexuality (ENGL 1900R)1 section
- MCM 1201O — Global Media/Global War1 section
- MCM 1201P — Freedom in Africana Political Thought (AFRI 1020B)1 section
- MCM 1201R — Music and Modern Life (MUSC 1920)1 section
- MCM 1201T — Russian Cinema (RUSS 1250)1 section
- MCM 1201W — Modernity, Italian Style (ITAL 1030A)1 section
- MCM 1201X — Global Media: History, Theory, Production (INTL 1800N)1 section
- MCM 1201Y — Reading Michel Foucault1 section
- MCM 1202A — The Poetics of Confession (ENGL 1561J)1 section
- MCM 1202B — Literature and Politics (ENGL 1900D)1 section
- MCM 1202C — Camera Works: The Theory and Fiction of Photography (ENGL 1900V)1 section
- MCM 1202D — China Through the Lens: History, Cinema, and Critical Discourse (EAST 1270)1 section
- MCM 1202E — Extreme Asian Cinema: Contemporary Genre Cinemas in an East Asian Context1 section
- MCM 1202F — Science Fiction Cinema1 section
- MCM 1202H — French Cinema: The First Fifty Years (FREN 1150C)1 section
- MCM 1202I — Warriors, Gangsters, and Misanthropes: Violence and Sociality in Asian Genre Cinemas1 section
- MCM 1202J — Faking Globalization: Media, Piracy and Urbanism1 section
- MCM 1202K — Garibaldi Panorama: the Invention of a Hero (from pre-cinema to digital) (ITAL 1340)1 section
- MCM 1202L — The Many Faces of Casanova (ITAL 1400J)1 section
- MCM 1202M — Issues in Contemporary Hollywood Cinema1 section
- MCM 1202N — Global Theatre and Performance: Paleolithic to the Threshold of Modernity (TAPS 1230)1 section
- MCM 1202P — Fellini (ITAL 1030A)1 section
- MCM 1202Q — Word, Media, Power in Modern Italy (ITAL 1590)1 section
- MCM 1202R — Rhetorics of New Media1 section
- MCM 1202S — Click Here to Continue: Bodies, Identities and Practices in a Digital Age1 section
- MCM 1202T — Perverse Cinema (ENGL 1762A)1 section
- MCM 1202U — Sex and Sexuality in American Film1 section
- MCM 1202X — Twentieth-Century Western Theatre and Performance (TAPS 1250)1 section
- MCM 1202Y — World Cinema in a Global Context (ITAL 1029)1 section
- MCM 1202Z — Native Americans in the Media: Representation and Self-Representation on Film (ETHN 1890G)1 section
- MCM 1203A — Gaming of the Oppressed: Theory and Design1 section
- MCM 1203B — Politics + Aesthetics of Hollywood1 section
- MCM 1203C — Tv Time Machine: History, Representation, Politics1 section
- MCM 1203D — Back to the Future: Nostalgia and Futurity in Contemporary Sci-Fi TV and Telefantasy1 section
- MCM 1203E — Intellectual Life and Culture in the Post-Western World1 section
- MCM 1203F — The Aesthetics of Political Cinema: Montage, Political Modernism, and Beyond1 section
- MCM 1203G — East Asian Internet Cultures1 section
- MCM 1203H — The Visual Culture of Freedom1 section
- MCM 1203I — Media, or Affect1 section
- MCM 1203J — Anime Studies1 section
- MCM 1203L — Media and Everyday Life in Japan1 section
- MCM 1203N — The Collapse of the Nation-State System: An Intellectual Preparation1 section
- MCM 1203O — Modernity, Italian Style. Class, Gender, Race, Ideology in the Cinema of the Economic M(ITAL…1 section
- MCM 1203P — Fashion as Technology1 section
- MCM 1203R — Visual Politics in Contemporary Middle East (MES 1200)1 section
- MCM 1203S — New Waves from Paris to Hollywood (FREN 1150G)1 section
- MCM 1203T — Digital Masculinities1 section
- MCM 1203U — East Asian Cinemas in a Global Frame1 section
- MCM 1203W — Social Media Networks: From Local to Global1 section
- MCM 1203X — Digital Bodies: Cyborgs, Biometrics, and Corporeal Data1 section
- MCM 1203Y — Rhythm Beyond Music (MUSC 1240L)1 section
- MCM 1203Z — Race, Ethnicity, and American Film1 section
- MCM 1204B — China Modern: An Introduction to the Literature of Twentieth-Century China (EAST 1070)1 section
- MCM 1204C — Ways of Seeing: The Arab World in Global Perspectives (MES 1200)1 section
- MCM 1204D — Politics of Chinese Cinemas1 section
- MCM 1204E — The Politics of Perspective: Post-war British Fiction (ENGL 1711K)1 section
- MCM 1204F — Critical Video Game Studies1 section
- MCM 1204I — On Both Sides of the Lens: Latin American Women Filmmakers (GNSS 1070)1 section
- MCM 1204J — A New Black Gaze1 section
- MCM 1204K — From Analog to Analogue: Digitality and Ephemerality in Audiovisual Archives1 section
- MCM 1204L — Transmedia Storytelling and the New Italian Epic (ITAL 1350A)1 section
- MCM 1204M — Latin American Horror Film (GNSS 1520)1 section
- MCM 1204N — TV and/as Popular Culture1 section
- MCM 1204O — Post-1989 Chinese Media: The Culture and Politics of Control1 section
- MCM 1204P — Nationalism and Transnationalism in Film and Fiction (COLT 1440P)1 section
- MCM 1204R — Memory, Identity, and the Archival Paradigm1 section
- MCM 1204S — Asian Extreme: Beauty and Violence in Korean Media (EAST 1504)1 section
- MCM 1204T — What Happened to the Future? Nostalgia After the End of History1 section
- MCM 1204U — Slow Cinema1 section
- MCM 1204V — Global Theatre and Performance: Paleolithic to the Threshold of Early Modernity (TAPS 1230)1 section
- MCM 1204X — Rereading Writing (LITR 1231E)1 section
- MCM 1205 — ITALY: World Cinema in a Global Context1 section
- MCM 1205A — What We Talk About When We Talk About Horror1 section
- MCM 1205B — Screening Capital1 section
- MCM 1205C — Global Anime1 section
- MCM 1205D — Dimensions of Czech Animation: Contexts, Interpretations, and Dialogs with the East (CZCH 1000)1 section
- MCM 1205F — Black Queer Diasporas1 section
- MCM 1205G — The Politics of Contemporary Black Popular Music1 section
- MCM 1205I — Queer Nightlife1 section
- MCM 1205K — Emplaced Art in the Americas : Creating Change Through Materiality1 section
- MCM 1205L — Angels and Monsters: Queer and Trans Religion (RELS 1600C)1 section
- MCM 1205N — Aesthetics at War1 section
- MCM 1205O — Polish Cinema: Uneven Histories, Uneasy Aesthetics (PLSH 1050)1 section
- MCM 1205Q — ¡Qué miedo! El cine hispánico de horror (HISP 1666)1 section
- MCM 1205R — Mise en Scene (TAPS 1380)1 section
- MCM 1205S — Late Modern and Contemporary Theatre and Performance (TAPS 1250)1 section
- MCM 1205T — Global Theatre and Performance: Paleolithic to the Threshold of Modernity (TAPS 1230)1 section
- MCM 1205U — Spain on Screen: 80 Years of Spanish Cinema (HISP 1290J)1 section
- MCM 1205V — Let’s Get Physical: Histories and Theories of Fitness and Wellness1 section
- MCM 1205W — The Black Outdoors (HMAN 1977O)1 section
- MCM 1205Z — Avant-Garde (GRMN 1441T)1 section
- MCM 1500C — Archaeology of Multimedia1 section
- MCM 1500D — Contemporary Film Theory1 section
- MCM 1500J — Feminist Theory and the Problem of the Subject1 section
- MCM 1500K — Film and the Avant-Garde1 section
- MCM 1500L — Film Theory1 section
- MCM 1500O — Film Theory: From Classical Film Theory to the Emergence of Semiotics1 section
- MCM 1500S — In the Public's Eye: Publicity and Surveillance1 section
- MCM 1500X — Middlemarch and the Sopranos1 section
- MCM 1501B — Nation and Identity: The Concept of National Cinema1 section
- MCM 1501C — National Cultures/Global Media Spheres1 section
- MCM 1501I — Reading Marx1 section
- MCM 1501K — Seeing Queerly: Queer Theory, Film, Video1 section
- MCM 1501N — Television Time and Space1 section
- MCM 1501O — Television, Gender, and Sexuality1 section
- MCM 1501Q — The Close-Up: Theory and Practice1 section
- MCM 1501W — The Rhetoric of New Media1 section
- MCM 1502B — Publicity and Surveillance1 section
- MCM 1502C — Race And/As Spectacle1 section
- MCM 1502E — Theories of the Photographic Image1 section
- MCM 1502H — Information, Discourse, Networks1 section
- MCM 1502J — Race as Archive1 section
- MCM 1502K — Real TV1 section
- MCM 1502N — Derrida and Telecommunications1 section
- MCM 1502P — Nation and Identity in Cinema1 section
- MCM 1502T — Film Noir: Femmes Fatales, Urban Space, and Paranoia1 section
- MCM 1502U — Media and Memory: Representing the Holocaust1 section
- MCM 1502V — Theories of the Body and the Limits of Constructionism1 section
- MCM 1502X — Race and/as Technology1 section
- MCM 1502Y — Simulation Speed Implosion: Theories of Media Technology1 section
- MCM 1502Z — Art Cinema and Its Legacy1 section
- MCM 1503A — The Ethics of Romanticism (ENGL 1560Y)1 section
- MCM 1503B — Jane Austen and George Eliot (ENGL 1560A)1 section
- MCM 1503C — "Terrible Beauty": Literature and the Terrorist Imaginary (ENGL 1760I)1 section
- MCM 1503D — W. G. Sebald and Some Interlocutors (ENGL 1761Q)1 section
- MCM 1503E — Aesthetic Theory/Cultural Studies1 section
- MCM 1503F — Critical Methodologies: Contemporary Literary Theory (ENGL 1900I)1 section
- MCM 1503G — Representations of Suffering in History and Media1 section
- MCM 1503H — Literature and the Ideology of the Aesthetic (ENGL 1950B)1 section
- MCM 1503I — Digital Media and Race: Ethnicity, Technicity, Embodiment1 section
- MCM 1503J — Film Authors and Authorship1 section
- MCM 1503K — Memory and Modern Media: Permanence and Presence in Film and Digital Media1 section
- MCM 1503L — South Korean Cinema: From Golden Age to Korean Wave (EAST 1950U)1 section
- MCM 1503O — Market Economy, Popular Culture, and Mass Media in Contemporary China (EAST 1950G)1 section
- MCM 1503Q — Communication Culture and Literary Politics1 section
- MCM 1503S — Cinema and Memory1 section
- MCM 1503T — Sensing Time: Affect and the Moving Image (GNSS 1960R)1 section
- MCM 1503V — Reading Michel Foucault1 section
- MCM 1503W — Getting Emotional: Passionate Theories (ENGL 1560W)1 section
- MCM 1503X — The Ekphrastic Mode in Contemporary Literature (ENGL 1762B)1 section
- MCM 1503Z — Dialogues on Feminism and Technology1 section
- MCM 1504B — Democracy Among the Ruins (POLS 1823M)1 section
- MCM 1504G — Chinese Women, Gender, and Feminism from Historical and Transnational Perspectives (EAST 1950B)1 section
- MCM 1504H — The Panorama and 19th-Century Visual Culture (ITAL 1340)1 section
- MCM 1504I — Image, Music, Text (ENGL 1762C)1 section
- MCM 1504J — Kubrick (ENGL 1762D)1 section
- MCM 1504L — Radical Poetics + World Cinema1 section
- MCM 1504M — The Politics and Practices of Digital Media1 section
- MCM 1504Q — Reading Narrative Theory (ENGL 1950G)1 section
- MCM 1504R — Iranian Cinema1 section
- MCM 1504S — 1948 Photo Album: From Palestine to Israel (COLT 1440F)1 section
- MCM 1504T — Literature and Judgement (COLT 1813Q)1 section
- MCM 1504V — Technologies of/and the Body: Mediated Visions (GNSS 1720)1 section
- MCM 1504X — Landscape and Japanese Cinema1 section
- MCM 1504Y — Spatial Audio: Envelopment & Immersion1 section
- MCM 1505B — Hitchcock: The Theory1 section
- MCM 1505C — Cinema's Bodies (COLT 1440T)1 section
- MCM 1505E — Theory and Practice of the Essay: Word/Image/Remix1 section
- MCM 1505F — The Child and the Digital: Queer Theory, Psychoanalysis and New Media1 section
- MCM 1505I — Writing and the Ruins of the Empire (ENGL 1561D)1 section
- MCM 1505J — Oppositional Cinemas1 section
- MCM 1505K — Blackness and the Cinematic1 section
- MCM 1505L — Framing Gender in Middle Eastern Studies (GNSS 1961G)1 section
- MCM 1505M — From Nanobots to Space Probes: Media and Scale1 section
- MCM 1505N — Gender, Sexuality and the Imagination1 section
- MCM 1505O — Does Utopia Still Exist? Media, politics and the hope of something else1 section
- MCM 1505P — Channeling Race: Television and Race in America1 section
- MCM 1505S — Cinema and Imperialism1 section
- MCM 1505U — The 60s: Film Countercultures (ENGL 1901H)1 section
- MCM 1505V — Reading Sex (ENGL 1900K)1 section
- MCM 1505W — Queerness & Games1 section
- MCM 1505X — TRANS/MEDIA: Transgender Studies and (Trans)Media Narratives1 section
- MCM 1505Y — In Order to Write About the Twenty-First-Century City, We First Have to Imagine It (ENGL 1160L)1 section
- MCM 1505Z — Kiarostami: What is an Image?1 section
- MCM 1506A — Digital Media and Virtual Performance (MUSC 1971)1 section
- MCM 1506E — Rethinking Black Visuality1 section
- MCM 1506I — Fanon and Spillers (ENGL 1901J)1 section
- MCM 1506J — Representing Sexuality and Gender on Screen1 section
- MCM 1506K — Image, Spectacle, Everyday Life1 section
- MCM 1506L — Small Screens1 section
- MCM 1506M — Art, Culture and Society in Tehran (MES 1120)1 section
- MCM 1506N — From Pathogens to Memes: Media, Pandemics, and Globalization1 section
- MCM 1506O — Technologies of/and the Body - Mediated Visions1 section
- MCM 1506P — From Hypernovel to Paranoid Fiction (ITAL 1400T)1 section
- MCM 1506Q — Whites, Whites Jews and Us: Radical Black, Arab & Jewish Thinkers (COLT 1610W)1 section
- MCM 1506S — Iranian Art: Sites and Sights (MES 1170)1 section
- MCM 1506T — Freud: Writer and Reader (COLT 1810N)1 section
- MCM 1506V — The Listener: Literature, Theory, Film (COLT 1440U)1 section
- MCM 1506X — Love Hurts: Romance, Media, Masochism1 section
- MCM 1506Y — Croenberg/Lynch (ENGL 1901L)1 section
- MCM 1506Z — Medium(s) of Animation: Plasticity, Labor, Technology (STS 1705)1 section
- MCM 1507E — Black Queer Life (AMST 1906X)1 section
- MCM 1507F — Market Economy, Popular Culture and Mass Media in Contemporary China (EAST 1931)1 section
- MCM 1507G — Virtual Bodies: Play, Power, Performance (AMST 1906V)1 section
- MCM 1507H — Chinese Women, Gender and Feminism from Historical and Transnational Perspectives (EAST 1932)1 section
- MCM 1507I — The Jewelers of the Ummah: The Jewish Muslim World is not History (MCM 1507I)1 section
- MCM 1507Q — Colonialisms on Trial (COLT 1441)1 section
- MCM 1507R — Practices of Autofiction (ENGL 1901T)1 section
- MCM 1507T — Oceanic Planet: Colonial Transits and the Submerged Otherwise1 section
- MCM 1507U — In the Cut1 section
- MCM 1507W — Genealogies of Noise (MUSC 1241)1 section
- MCM 1507Z — Writing: Material Differences (LITR 1230J)1 section
- MCM 1508A — Bad, Mad, and Sad: Misbehaving Femmes in Literature (ENGL 1761J)1 section
- MCM 1508C — Anti/formalisms Then and Now (GRMN 1703)1 section
- MCM 1508D — You Betta Work: The Black Queer ‘90s1 section
- MCM 1700A — Approaches to Digital Cinema1 section
- MCM 1700B — Approaches to Narrative1 section
- MCM 1700D — Reframing Documentary Production: Concepts and Questions1 section
- MCM 1700F — Theory for Practice / Practice as Theory1 section
- MCM 1700J — Tv/Tv: Commercial and Alternative Television1 section
- MCM 1700M — Techniques of Surveillance1 section
- MCM 1700N — Open Source Culture1 section
- MCM 1700P — Radical Media1 section
- MCM 1700Q — Approaches to Media Form1 section
- MCM 1700R — The Art of Curating1 section
- MCM 1700S — Narrative and Immersion1 section
- MCM 1700T — Approaches to Narrative1 section
- MCM 1700U — Experimental Data Representation1 section
- MCM 1700V — The Place of the Moving Image1 section
- MCM 1700W — History, Theory and Practice of Storytelling Using Stereoscopic (“3D”) Motion Pictures (HMAN…1 section
- MCM 1700X — New Genre: Site and Sound (VISA 1710)1 section
- MCM 1700Y — Expanded Storytelling: Capture, Share and Expose1 section
- MCM 1700Z — What is Happening to Narrative?1 section
- MCM 1701A — Art/Gender/Technology1 section
- MCM 1701B — Hearing Image, Seeing Sound1 section
- MCM 1701C — Advanced Digital Language Arts1 section
- MCM 1701D — Writing3D (LITR 1010G)1 section
- MCM 1701E — Experimental Narrative1 section
- MCM 1701G — Text in Time-based Art1 section
- MCM 1701H — Finalizing Your First Documentary Feature: Content Creation from Script to Screen (ARTS 1013B)1 section
- MCM 1701I — Digital Worlding: Terraforming Future, Fact, Fiction and Fabulation1 section
- MCM 1701J — Data Visceralization and Climate Change1 section
- MCM 1701K — AS ABOVE, SO BELOW: Spatial Relations in Film Practice1 section
- MCM 1701L — Time Deformation (VISA 1740)1 section
- MCM 1701M — Advanced Screenwriting1 section
- MCM 1701O — The Arts Workshop for Practice and Practice-Oriented Research (LITR 1000)1 section
- MCM 1701P — Advanced Digital Language Arts (LITR 1010D)1 section
- MCM 1701Q — Script to Screen (LITR 1110T)1 section
- MCM 1701S — Anti-Social Reproduction: Art, Activism and the Question of Reproductive Labor1 section
- MCM 1701T — Advanced Digital and Cross-Disciplinary Language Arts (LITR 1010H)1 section
- MCM 1701U — Advanced Projects in Film and Video1 section
- MCM 1701V — The Cloud Beneath the Ground, Under sea:1 section
- MCM 1701X — CS for Social Change (CSCI 1951I)1 section
- MCM 1701Y — Future Ancients of the Pluriverse1 section
- MCM 1701Z — Performance Practice Workshop (ARTS 1007)1 section
- MCM 1702A — Nonbinary Thought and Elemental Media Practices1 section
- MCM 1702B — Artist@Work: Kym Moore (ARTS 1910C)1 section
- MCM 1702D — Opening the Archives: The “Stuff” of (Un)Making, (Re)Pairing, and (Re)Imagining1 section
- MCM 1702E — Animals and Film1 section
- MCM 1702F — Producing Your First Documentary Film In Theory And Practice (ARTS 1013A)1 section
- MCM 1702G — Body as Medium: Queer Lineages of Duration, Resonance, and Excess (ARTS 1012)1 section
- MCM 1702I — Advanced Digital & Cross-Disciplinary Language Arts Workshop (LITR 1010H)1 section
- MCM 1702M — Social Practice: Art in Everyday Life (VISA 1600)1 section
- MCM 1970 — Independent Study in Modern Culture and Media1 section
- MCM 1980 — Honors Thesis/Project Research in Modern Culture and Media (Part 1)1 section
- MCM 1990 — Honors Thesis/Project in Modern Culture and Media (Part 2)1 section
- MCM 2100A — Contemporary Feminist Theory and the Problem of the Subject1 section
- MCM 2100B — Culture and Criticism in Marxist Theory1 section
- MCM 2100G — Freud and Lacan1 section
- MCM 2100J — Space and Time in Media Discourse1 section
- MCM 2100L — Metals, Mining, and Jewelry: Making the World Anew (HMAN 2402D)1 section
- MCM 2100O — Queer Theories1 section
- MCM 2100V — Sex. What is it? Why does it matter?1 section
- MCM 2100Y — Solidarities: Sharing Freedom, Inventing Futures (HMAN 2971H)1 section
- MCM 2101B — Black Critique (AFRI 2300)1 section
- MCM 2101D — Postcolonial Theory (ENGL 2900X)1 section
- MCM 2101F — What is (Called) Thinking? (HMAN 2401N)1 section
- MCM 2101K — Hannah Arendt’s Eichmann in Jerusalem: Theater, Complicity, Evil, Refusal (POLS 2354)1 section
- MCM 2101N — W.E.B. Du Bois and Walter Benjamin1 section
- MCM 2101O — Sex and the City1 section
- MCM 2110B — Freud and Lacan1 section
- MCM 2110G — Language and Politics (POLS 2285)1 section
- MCM 2110M — Literary Theory I: Continental Aesthetics and the Questions of Politics (COLT 2650M)1 section
- MCM 2110N — Literary Theory II: Post-Structuralism and the Problem of the Subject (ENGL 2901B)1 section
- MCM 2110S — Ethical Turns in Psychoanalysis and Literature (ENGL 2900N)1 section
- MCM 2110W — Seminar in Performance Studies and Theatrical Theory (TAPS 2100)1 section
- MCM 2110Z — Language and Politics (POLS 2285)1 section
- MCM 2111E — Twenty-first Century Critical Theory (ENGL 2901T)1 section
- MCM 2111F — The Intelligence of Reading1 section
- MCM 2120A — Media Archaeology1 section
- MCM 2120B — New Media Theory1 section
- MCM 2120C — Cinema, State Violence and the Global1 section
- MCM 2120D — Derrida and Telecommunications1 section
- MCM 2120E — Cinema, Media Culture and Political Theory: Rancière and Others1 section
- MCM 2120F — Concepts of Space and Time in Media Discourses (HMAN 2970C)1 section
- MCM 2120H — Objects of (and in) Animation1 section
- MCM 2120I — Why and How We are Looking for the Comical? Theories and Objects1 section
- MCM 2120J — Realism - Concepts, Forms and Styles1 section
- MCM 2120K — Deleuze and Cinema1 section
- MCM 2120N — Critical Theories of Mass Media1 section
- MCM 2120O — Concepts of Technology and Media1 section
- MCM 2300A — Real TV1 section
- MCM 2300B — Television, Gender and Sexuality1 section
- MCM 2300C — After Postmodernism: New Fictional Modes (ENGL 2760X)1 section
- MCM 2300D — Historicism/Photographic Media: From Kracauer and Benjamin to the DEFA Documentary (GRMN 2660H)1 section
- MCM 2300E — Things Not Entirely Possessed: Romanticism and History (ENGL 2561B)1 section
- MCM 2300F — Animation1 section
- MCM 2300I — Popular Music Studies (AMST 2220R)1 section
- MCM 2300J — Film Philosophy: Tragedies of Remarriage (POLS 2355)1 section
- MCM 2310C — Eisenstein and Political Modernism1 section
- MCM 2310D — The Idea of a Medium1 section
- MCM 2310E — TV Space and Time1 section
- MCM 2310G — Cultural Studies and the Problem of Form1 section
- MCM 2310H — Television Realities1 section
- MCM 2310I — At the Limits: Media Representation of the Holocaust1 section
- MCM 2310Q — Frequencies of Black Life (ARTS 2000)1 section
- MCM 2310R — Media Compositions1 section
- MCM 2310T — Seminar Perform Stdy-TAPS21001 section
- MCM 2330 — Critical Genres1 section
- MCM 2450 — Exchange Scholar Program1 section
- MCM 2500A — Film and Modernity1 section
- MCM 2500C — Media Archaeology1 section
- MCM 2500D — Archaeologies of the Projected Image1 section
- MCM 2500E — Temporality in/and the Cinema1 section
- MCM 2510A — Art Cinema as Transnational Textual Strategy1 section
- MCM 2510B — Cinema, State Violence and the Global1 section
- MCM 2510C — The Adventures of Dignity1 section
- MCM 2510F — The Racial Lives of Affect (ENGL 2761F)1 section
- MCM 2510I — Italian Thought: Inside and Out (HMAN 2400U)1 section
- MCM 2510P — Revolt and Revolution in the Black World (AFRI 2015)1 section
- MCM 2980 — Independent Reading and Research in Modern Culture and Media1 section
- MCM 2990 — Thesis Preparation1 section
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