FI courses
67 courses · Fashion Institute of Technology · Fall 2026
- FI 111 — — Introduction to Film1 section
- FI 200 — — Bollywood and the Making of India1 section
- FI 201 — — Principles of Costume for Filmmakers1 section
- FI 202 — — Mafia Movies: Crime and Corruption in Italian Popular Culture1 section
- FI 203 — — African American Film Culture1 section
- FI 204 — — Martial Arts Cinema and its Global Impact1 section
- FI 205 — — Producing For Film1 section
- FI 206 — — Mexican Cinema: Between The National and The Global1 section
- FI 207 — — Devouring the Screen: Food in Film1 section
- FI 208 — — Film Genres: Zombies, Viruses, and the End of the World1 section
- FI 209 — — History of American Television1 section
- FI 210 — — Film Genres: Cult Cinema1 section
- FI 211 — — Brazilian Cinema: Inventing Places and Spatial Myths1 section
- FI 212 — — Drag and Cross-Dressing in Cinema1 section
- FI 213 — — The Films of Francis Ford Coppola and Martin Scorsese1 section
- FI 214 — — Introduction to Costume Design for Film1 section
- FI 215 — — Dynamic Perspectives: Contemporary Iranian Cinema and Beyond1 section
- FI 217 — — Hollywood: A History1 section
- FI 218 — — The Action Movie1 section
- FI 219 — — Film Genres: Haunted Homes1 section
- FI 220 — — The Writers' Room: What Makes Great Television?1 section
- FI 221 — — History of Film, Beginnings to 19591 section
- FI 222 — — History of Film, 1960-20001 section
- FI 223 — — Women Make Movies: A History of Women’s Filmmaking1 section
- FI 224 — — Avant-Garde Film1 section
- FI 225 — — Latin American Cinema and Resistance1 section
- FI 228 — — From Stand-Up to Script: Adapting Comedy to TV1 section
- FI 231 — — History of Documentary Film1 section
- FI 234 — — Film Genres: Horror1 section
- FI 241 — — History of Russian and Soviet Film1 section
- FI 243 — — Television Genres1 section
- FI 244 — — Major Movements in Chinese, Japanese and Korean Film1 section
- FI 245 — — Chinese Cinema1 section
- FI 246 — — Italian Cinema1 section
- FI 253 — — Afrofuturist Art and Visual Culture1 section
- FI 256 — — Screenwriting I1 section
- FI 257 — — Costume in Science Fiction and Fantasy Films1 section
- FI 263 — — Fashion in Film1 section
- FI 271 — — Fans and Fandom in the Internet Age1 section
- FI 272 — — Introduction to Television Studies1 section
- FI 273 — — The Other Hollywood: Film in New York1 section
- FI 274 — — American Independent Cinema1 section
- FI 275 — — Costume in Period Films1 section
- FI 299 — — Independent Study - Film & Media1 section
- FI 300 — — Digital Storytelling: Fiction and Nonfiction1 section
- FI 301 — — The Film Auteur1 section
- FI 302 — — Wong Kar-Wai and Tsai Ming-Liang: New Waves in Hong Kong and Taiwan Cinema1 section
- FI 304 — — Disability and the Moving Image1 section
- FI 320 — — Major Directors: Federico Fellini1 section
- FI 321 — — Film Theory and Criticism, An Introduction1 section
- FI 322 — — Major Directors: Alfred Hitchcock1 section
- FI 323 — — Sexuality in Cinema1 section
- FI 324 — — The Romantic Comedy1 section
- FI 325 — — Major Directors: Akira Kurosawa1 section
- FI 326 — — Major Directors: Charlie Chaplin and Frank Capra1 section
- FI 329 — — Surrealism in the Moving Image1 section
- FI 331 — — Film Genres: Crime Stories1 section
- FI 332 — — The Science Fiction Film1 section
- FI 333 — — Film Genres: Animation1 section
- FI 334 — — Film Genres: Films of the Supernatural1 section
- FI 335 — — Emotion Pictures: Film and Television Melodrama1 section
- FI 341 — — French Cinema1 section
- FI 342 — — South Korean Cinema: From Cold War to the Present1 section
- FI 343 — — Contemporary Chinese Cinema1 section
- FI 356 — — Screenwriting II1 section
- FI 400 — — Screenwriting III1 section
- FI 499 — — Independent Study in Film and Media1 section
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