The Law and Business of Popular Music

Catalog description

Digital technologies, globalization and capital markets have dramatically altered the landscape for the production, distribution and consumption of popular music, presenting new challenges for legal ordering through private contracts and public laws. This seminar will introduce students to the most important aspects of industry practice, from the historical roots of popular music in America, to the details of negotiating recording and music publishing agreements, to the operation of music delivery platforms, the valuation of music catalogues, the politics of music lawmaking in America and AI's challenges to music production, along with musical copyright topics, including infringement litigation and termination of transfers. Several class sessions will be led by guest experts from industry and practice, and student writing will include weekly drafting of questions to be addressed by guest speakers, and a research or reflection paper to be presented by each student at the end of the seminar. The instructor and the student must agree whether the student will receive "R" credit. For "R" credit, the paper is substantial and is based on independent research. After the term begins, students accepted into the course can transfer from section (01) into section (02), which meets the R requirement, with consent of the instructor. Elements used in grading: Attendance, class participation, written assignments, final paper. Early Commitment to Enroll Required: Students who receive permission to enroll in the class must email Paul Goldstein [email protected] within 48 hours of receipt to confirm their commitment to enroll. Otherwise, the spot will be filled by a student on the waitlist. Early drop deadline: Students may not drop this course after the first week of class. CONSENT APPLICATION: To apply for this course, students must complete a Consent Application Form available…