Digging: The Blues Ethos and Jazz Aesthetics: A History of African American Culture

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By the 20th century, African Americans produced a distinctive ethos and aesthetic of pleasure not only in music and dance but also in sports and other creative arts. Artists like Paul Robeson, Bessie Smith, Ma Rainey, Billie Holiday, Louis Armstrong, Ella Fitzgerald, Lester Young, Duke Ellington, and John Coltrane were paradigmatic in that cultural production. In turn, the blues ethos and jazz aesthetics influenced the African American imagination in social, political, economic, and cultural life, as well as in architecture and science. Standing on My Sisters’ Shoulders: Rethinking the Black Freedom Struggle HIST 3063 Komozi Woodard Sophomore and Above, Seminar—Year | 10 credits This course will examine the distinctive leadership of women in the formation of the Black Freedom Movement. Departing from older scholarship that presents a “leading man” narrative of self-emancipation, this seminar will explore the rich lives and legacies of women, recognizing that they were their own liberators. From Harriet Tubman and Ida B. Wells to Margaret Walker, Gwendolyn Brooks, Maya Angelou, Fannie Lou Hamer, Angela Davis, Kathleen Cleaver, and Assata Shakur, generations of leaders shaped the Black radical tradition. Students are invited to learn the epic yet untold stories of the “war on terror” pioneered by Harriet Tubman, Ida B. Wells, Claudia Jones, Esther Cooper Jackson, Denise Oliver-Velez, Ericka Huggins, Queen Mother Moore, Gloria Richardson, Septima Clark, Diane Nash, Ella Baker, and Vicki Garvin, alongside rethinking the legacies of Rosa Parks, Fannie Lou Hamer, Shirley Graham Du Bois, Yuri Kochiyama, and so forth. Rather than examining one-dimensional caricatures of those leaders, this course will explore three-dimensional lives as well as their levers of power from cultural workshops to grassroots organizations. The ‘Founders’ in Film and Fiction