General Politics of the Image

Catalog description

In this course, we will explore the power dynamics behind images and how they shape the way we see and experience the world. Drawing on John Berger’s Ways of Seeing, we will examine how visuals—whether in art, film, or everyday life—are never neutral but, rather, always tied to politics. We will dive into works like Harun Farocki’s An Image, Tony Cooke’s Disco Inferno, Martha Rosler’s Semiotics of the Kitchen, Jean-Luc Godard’s radical cinema, and Brechtian approaches to audiovisual composition. Through these films and ideas, we will see how artists and filmmakers use images to challenge the status quo, resist dominant ideologies, and spark political change. With screenings and discussions, we will sharpen the ability to critically analyze the images that surround us and understand how they influence both political consciousness and personal identity. This course is a thought-provoking investigation into how images can manipulate, provoke, invent, and sometimes resist the political forces at play in our world. Feeling Sound: Effects and Affects