Digital Humanities

Catalog description

This course examines the literary and social resonances of mural arts in medieval and Early Modern Italy. We will investigate emerging artistic conventions alongside textual moments that employ ekphrastic descriptions of mural art as a point of departure for larger commentaries on the role of gender, social hierarchies, the labor of the author and the artist, and civic justice. How did mural arts in medieval and early modern Italy shape viewers’ understanding of justice, society, and city life and their role within it? How did Italian authors appropriate artistic conventions, through text, in order to intervene in public discourse on sociopolitical concerns? Through a comparison of images and texts, we will explore the ways in which Italian writers and artists visualized justice, critiqued dominant social hierarchies, and renegotiated gendered spaces in their literary and artistic works. Alongside viewing works of art, course readings will explore literary representations of mural arts, both fictional and real, described ekphrastically in the works of Dante, Boccaccio, Ariosto, and Machiavelli, among others. Select readings from the work of Marguerite de Navarre, Sor Juana Inés de la Cruz, and Classical antecedents will shed light on cross cultural dialogue on the representation of civic life, gender, and justice in the Early Modern period. Primary source readings will be accompanied by selections from contemporary and critical theory on art history, gender, race, and politics. Finally, we will examine contemporary street art and graffiti in Florence to consider the legacy of these early modern tensions in Florentine culture today.