Baroque Opera from Monteverdi to Gluck

Catalog description

We will explore the history of Baroque opera from the vantage point of its beginning and its end: Claudio Monteverdi’s Orfeo (1607) and Christoph Willibald Gluck‘s Orfeo ed Euridice (1762), both works setting into music narratives about the myth of Orpheus and Eurydice as told by Ovid, Virgil, and others. We will discuss not only the historical documents that survive about these two masterworks (scores, librettos, letters etc.) but also today’s productions available in video. Why was the myth of Orpheus central to creators and audiences? What do these two operas and their performances tell us about being human in the world, both back then and today? How do we approach and understand this 400-years old multimedia genre, and why do these works still attract worldwide audiences today? We will also investigate works by Sartorio, Lully, Charpentier, Purcell, Telemann, and Handel. These works are based on poetic texts (“librettos”) thus we will explore text/music issues, focusing on prosody. Students in ITAL/FIGS are not expected to know music (in technical terms) but will have an opportunity to be exposed to poetic texts (in Italian, French, and German) that, by supporting music, function differently from other texts.