Cinema and Revolution

Catalog description

Can cinema be revolutionary? From Sergei Eisenstein's Battleship Potemkin to Boots Riley's Sorry to Bother You, filmmakers have long grappled with political revolution. In this course we'll study films that take moments of revolutionary upheaval as their subject, and cinema made during times of revolution. Can cinematic techniques challenge the status quo? How have filmmakers navigated the complex politics of cinematic production and distribution in moments of censorship and repression? Are art and propaganda always different? Students will give two oral presentations: one will be a detailed analysis of a single scene, and another will consider the politics of a film of their choosing. Open to all, including those with no prior background in cinema studies.