AFRC 3540

Art, Medicine, & Magic: Bodily Remedies

University of Pennsylvania · UGRD · Fall 2026

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In this activity-centric course, you will explore art, medicine, and magic as entangled approaches for healing human bodies across time, space, and societies. At first glance, artists, doctors, and religious leaders may seem to address questions about bodies and healing in very different ways. Yet, in practice, art, magic, and medicine have been in deep conversation with one another for millennia. 4,000 years ago in Mesopotamia, medical doctors were professionals who had offices, hospital beds, and pharmacological and surgical equipment expertise, but they often worked hand in hand with diviners and exorcists. In rural Haiti today, Haitian Vodou priestesses collect herbs, craft sculptures, and sing as they clean wounds and dispense antibiotics within the course of a single "remed" (remedy). In the United States, megachurches send thousands of doctors on evangelical medical missions each year, while in Colombia, contemporary artists are called on to assuage profound social trauma related to decades of military conflict. Examples like these show that art, magic, and medical practice have long been entangled technologies; sometimes working together, sometimes at odds with one another, these practices have always been in dialog about what "healing" is and how it can be achieved. Attending to these entanglements this course asks "what does healing look like and feel like - in what ways do humans transform affliction?" Together, we will investigate how everyday bodily experiences of "wellbeing" and "illness" are configured through art, magic, and medical practices across human communities, shaping how people understand and manage disorders from COVID-19 to schizophrenia, from ancestral trauma to breast cancer. Throughout the course, you will use ethnographic case studies & in-class activities to work through three aspects of the core class question: 1) how do art, magic,…

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Class #pennsylvania_2-AFRC3540Fall 2026UGRD1 credits
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