Giordano Bruno and the Art of Memory

Catalog description

Sponsored by Italian Studies. Memory devices reached a peak of refinement during the Italian Renaissance; they aimed to organize knowledge and were intended as tools for creative output. Examines their impact on the literary production of the time, highlighting the interdependence between textual and visual codes. Focuses on the heretic philosopher and cosmologist Giordano Bruno, burned at the stake by the Roman Inquisition in 1600, who conceived his imposing mnemonic system as an inner mirror of the infinite universe.