Theory and Practice of Acting

Catalog description

This course will be taught remotely using a dynamic combination of synchronous and asynchronous tools, while introducing students to the fundamental skills of acting. Using the work of some of the world's foremost theorists and practitioners like Constantin Stanislavski, Anton Checkov, William Shakespeare, Cicely Berry, and Ann Bogart, among others, we will investigate the history and evolution of style, genre, and technique as applied to acting for both stage and film. In doing so students will be exposed to the innovative new technologies currently being used by leading professionals in the field of acting. During this course, students will experience learning how to read and analyze a script, techniques for memorization and relaxation, in-person physical workshops led by guest artists, and in-depth exposure to the mechanics of acting (objective, intention) to create unique and vibrant characters within scenes and monologues. Assignments and exercises will be designed to embolden students' imaginations while building confidence in front of an audience. Prerequisite: None. Fulfillment: general elective