Music Theory and Musicianship 2

Catalog description

Continues diatonic harmony through part writing and ear training exercises as typified by musical practice from 1600 to the present, continues solfeggio, chord recognition, melodic and rhythmic dictation, voice leading involving four-part choral writing, and figured bass realization. Introduces harmonic dictation, cadential elaboration, non-dominant seventh chords, and an introduction to secondary/applied chords and modulation. 54 hours lecture, 54 hours laboratory. ADGE: 3; Transfer: CSU, UC; Cal-GETC: 3A; C-ID# MUS 130, MUS 135. Prerequisite: MUS 8A with a minimum grade of C.