Contemporary Aesthetic Theory and its Discontents

Catalog description

After having been reduced to a mere ideological formation of bourgeois origin, aesthetics has recently made a strong comeback in the field of theory. This course probes the reasons for this historical change. From the arguments of the critics we will derive a catalogue of criteria for a viable aesthetics in order to examine how contemporary aesthetic theory relates to cognitive theories, the historicity of art and taste (including specific practices and institutions), and the emancipatory potentials of ethics and politics. Readings may include Adorno, Berger, de Bolla, Bourdieu, Noël Carroll, Cavell, Danto, Derrida, Dickie, Eagleton, Goodman, Guillory, Gumbrecht, Halsall, Luhmann, Lyotard, de Man, Walter Benn Michaels, Obrist, Ohmann, Scarry, Seel, Shustermann, Barbara Herrnstein Smith, Williams and others.