PRISON LITERATURE

Catalog description

Prison literature—poems, plays, memoirs, novels, and songs written in prison or about prison—constitute a significant part of American literature. Prisons expose many of the systemic inequalities of American life, above all those based on racism and the enduring legacies of slavery. Using the tools of critical race theory, feminism, and class analysis, this course will explore the forms of cultural expression that have emerged in relationship to the American prison experience. Though the course will touch on the rise of convict leasing, chain gangs, and work farms as part of the penal system under Jim Crow, the main focus will be on developments in the U.S. prison system and in prison literature since the 1960s, roughly from the prison writing of George Jackson, Angela Davis, and Malcolm X to the outpouring of contemporary fiction and poetry about prison life by Jesmyn Ward, Colin Whitehead, Rachel Kushner, and Reginald Betts. This is the era of what Michelle Alexander has called “the new Jim Crow,” the rise of mass incarceration, the partial privatization of the penal system, and the growth of supermax facilities. Among the questions we will explore together are these: What tools and techniques do writers use to construct the prison experience? What are the affordances offered by various genres (drama, autobiography, poetry, the novel) for exploring the prison system and the systems of oppression that converge at that site? Does some literature of incarceration perpetuate damaging discourses about “felons,” or does it revise and complicate stereotypes and narratives about incarcerated individuals? How do narratives involving change, conversion, growing up, or being defeated operate in various genres of prison literature? What role do mourning, witnessing, testifying, and resistance play in such writing? What is the imagined audience of various genres of prison…