Expression in Architecture

Catalog description

This architectural history seminar will explore expression in architecture in its many forms, particularly in written works of architectural theory through the ages. We start with the premise that architecture is not merely pragmatic, technical, or functional: it can express or communicate like a language, it can represent and inspire like many of the arts, it can shape behavior and emote, it can trigger memories, emotions, or meanings. As Isozaki put it: ?Architecture is a machine for the production of meaning.? We?ll investigate many ways that architects have theorized the design process, as well as the forms, materials, and contexts of architecture, to express a myriad of ideas and sensibilities. We?ll also look at the ways that buildings can communicate and have meaning, often beyond the intent of the architect, and usually changing over time. Some of the topics to be explored include the classical orders, gothic geometry and mystical light, the theatrical space of the Baroque, architecture parlante, character, and style in the Enlightenment, tectonics as structural expression, political architecture and morality, the aesthetics of functionalism, Expressionism, key terms such as ornament, representation, linguistics, and semiotics, as well as more recent theoretical constructs such as embodiment, materiality, atmosphere, and affect. The work of the seminar will include intensive weekly readings, especially of primary sources by the architects seeking to express ideas, weekly presentations and discussions about the sources, and a term paper on an important theory of expression in architecture of your choice. Prerequisite: 48-240